All posts by heathergold
We're live now with Laura Fitton @pistachio
Listen in live here now: http://96.50.7.160:8000/listen.m3u
Chat on twitter at #tummel
or here on freednode
What makes a comments section work?
Salon’s Scott Rosenberg had a tummel-savvy piece on this subject recently. Ironically I heard about it around the same time I saw NPR’s Andy Carvin live tweeting an event and mentioning outsourcing the moderation of comments. Andy later clarified the thing he saw as outsource-able was the human filtering of spam.
TummelVision 8: Bill Corbett on MST3K and bringing the audience along for the ride [explicit]
Podcast: Play in new window | Download
Episode Notes
Episode 8 Download the show
We had a great conversation with hilarious and poetic playwright and comic actor Bill Corbett (Rifftrax, Mystery Science Theatre 3000) about elements of improv, playwrighting and comedy that all relate to tummeling and succeeding in working in flow and creating social engagement.
The core elements of improv that seemed most important:
-yes, and (not denying the reality anyones presenting. This isn’t about dealing with trolls but meeting people generally where they are and adding something to it)
-being present
-commitment
-risk
-surprise
Deb related the element of surprise in the business world to 3Ms decision to capitalize on the accident or “failure” in the creation of Post-its. In tech, Kevin related it to people hacking on an existing product and the ability in the software world to change products quickly. In fear
We also had a pretty in-depth discussion of comedy, it’s evolution into snark, how it’s done on twitter and what Bill sees trending on twitter as a growing return to an approach to more direct humour.
Links from this week:
Attention has not been democratized (danah boyd)
Trust means being vulnerable to someone (Ben Laurie on Ed Felton)
Baratunde’s twitcom
Geek sincerity
——
80’s theme song: Hold on Loosely
Questions for tonight's guest? Mystery Science Theatre 300's Bill Corbett
Bill is a playwright and fantastic comic improviser I’m really excited to be able to talk with him about the experience of creating settings for social dynamics. MST3K really set off what is now our typical way of experiencing media: socially with commentary.
Do you have questions or ideas for tonight’s conversation? Games we can all play together? Put em in the comments.
Bill Corbett is a former writer for MYSTERY SCIENCE THEATER 3000 on the Sci-Fi Channel, and previously on Comedy Central. He was also a performer on the show, providing the voice of the robot Crow (version 2.0) and embarrassing himself by playing various other strange characters — including the all-powerful but clueless alien The Observer (a.k.a. “Brain Guy”).
Corbett is also a screenwriter and playwright. Corbett’s screenplay STARSHIP DAVE, co-written with Rob Greenberg, is currently in development with 20th Century Fox Studio.
His play THE BIG SLAM has been produced at numerous theaters across the U.S., including Woolly Mammoth in Washington, D.C.; ACT in Seattle; and actor Jeff Daniels’ Purple Rose Theater in Chelsea, Michigan.
He has been a contributing writer to National Public Radio’s PRAIRIE HOME COMPANION and ALL THINGS CONSIDERED, and is co-creator of the animated web series POKER NIGHT on Icebox.com.
Corbett has also been an actor in the resident acting companies at the Guthrie Theater and the Berkshire Theater Festival, and has taught playwriting and screenwriting at Kenyon College in Ohio, the Guthrie Theater in Minneapolis, and many other universities and schools.
He’s a graduate of the Yale School of Drama, where he earned an MFA in playwriting and screenwriting. Before that, he received a BA from Yale College.
A native of Brooklyn, N.Y., Corbett currently spends a lot of time in Los Angeles, partying into the wee hours with stars like Skeet Ulrich, Tony Danza, and Harry Hamlin. But he actually lives in Minneapolis, Minnesota with his wife Virginia, their daughter Molly, and a small Jack Russell Terrier who really runs the house. He hopes someday to raise alpacas.
When is self-promotion not authentic?
There are many people in our industry who think they are a lot more important than they really are…People who measure themselves by false metrics such as Twitter followers, Facebook friends, LinkedIn connections, or any other data that doesn’t actually measure the amount of good you’re bringing to the world.
– from a commentary about Jason Calacanis’ fake pre-launch tweets about the iPad Never Dupe Your Readers, Mike Industries
Related video: my web 2.0 talk Authenticity Is the New Authority and Tummelvision 4 w/ Kathy Sierra